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IMDb > A Day's Pleasure (1919)

A Day's Pleasure (1919) More at IMDbPro »

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Overview

User Rating:
6.8/10   830 votes
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Down 1% in popularity this week. See rank & trends on IMDbPro.
Director:
Charles Chaplin
Writer:
Charles Chaplin (writer)
Contact:
View company contact information for A Ford Story on IMDbPro.
Release Date:
15 December 1919 (USA) more
Genre:
Short | Comedy more
Tagline:
His Own fourth Million Dollar Comedy more
Plot:
Father takes his family for a drive in their falling-apart Model T Ford, gets in trouble in traffic... more | add synopsis
Plot Keywords:
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NewsDesk:
I'm Not a Huge Charles Chaplin Fan but...
 (From Rope Of Silicon. 2 February 2009, 12:41 AM, PST)

User Comments:
Chaplin on his way out of the short comedy. more

Cast

  (Complete credited cast)

Charles Chaplin ... Father
Edna Purviance ... Mother
Marion Feducha ... Small Boy
Bob Kelly ... Small Boy
Jackie Coogan ... Smallest Boy
Tom Wilson ... Large Husband
Babe London ... His Seasick Wife
Henry Bergman ... Captain, Man in Car and Heavy Policeman
Loyal Underwood ... Angry Little Man in Street
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Additional Details

Also Known As:
A Ford Story (USA)
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Runtime:
25 min | 18 min
Country:
USA
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Mono (Westrex Recording System) (re-issue) | Silent
Certification:
Canada:G (Ontario) | Argentina:Atp | Germany:o.Al. | UK:U

Fun Stuff

Trivia:
The house the family appears from is in reality Charles Chaplin's office. more
Goofs:
Miscellaneous: As Charlie struggles with the cantankerous car, a pedestrian walks into view on a sidewalk in the background. Either realizing a film is being shot or waved off by the crew, he hastily turns around and walks away. more
Movie Connections:
Featured in Charlie: The Life and Art of Charles Chaplin (2003) more

FAQ

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1 out of 1 people found the following comment useful:-
Chaplin on his way out of the short comedy., 7 April 2007
7/10
Author: Michael DeZubiria (miked32@hotmail.com) from Luoyang, China

I have heard that Chaplin rushed to produce A Day's Pleasure because the studio was demanding product while he was working on The Kid, but I have to disagree that it is a below-average comedy. It is a little different from the fare that we have come to expect from him in his short comedies, but I think this is as much a reflection of his desire to do something different as it is of the fact that he rushed through the production to satisfy the studio while he made another film, which he was more than likely more interested in.

It should be kept in mind that Chaplin had been involved in the production of nearly 100 short silent comedies by the time A Day's Pleasure came around, so I can forgive him a little distraction in it's production. If nothing else, I find the film to be particularly interesting, especially at the beginning, because the building that Chaplin and the family leave from at the opening of the film is Chaplin's office in Los Angeles, where I live. It's hard to mistake those mountains in the background!

One thing that I found to be interesting is that at one point in the opening sequence, a man walks into the frame in the background, and the trivia on the IMDb claims that he was most likely a studio employee, which seems like a preposterous notion, since the man not only walks right into the frame during shooting, but also pauses to see what's going on after he turns back. If he was a studio employee, it must have been his first day!

Also of some note is a rather disturbing portrayal of the black characters. Granted, 1919 was a very different time than now, but like Hitchcock's The Ring, which featured a sadly slave-like black man grinning gleefully as dirty, backwards-looking white people dunked him in a tub of water, A Day's Pleasure features a band of black musicians which doesn't say anything good about Chaplin's idea of black people (what is the meaning of "Three minds with but a single thought?").

While I agree that some of the material is a little different from many of Chaplin's other short films, the sequences here are certainly not without merit, particularly a hilarious bit with an uncooperative deck chair midway through the film. Some of the behavior of Chaplin and his other actors in the film is a little odd (at one point the family is on a crowded passenger ship on which everyone seems to be falling asleep on their feet in the middle of the day), but I should think that Chaplin made a graceful exit from the short silent comedy, if not an eventful one.

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