Shoulder Arms (1918)

Director:

Charles Chaplin

Writer:

Charles Chaplin (writer)

Release Date:

20 October 1918 (USA)

Genre:

Comedy | War

Plot:

Charlie is a boot camp private who has a dream of being a hero who goes on a daring mission behind enemy lines.

Plot Keywords:

Capture | Gas Mask | Behind Enemy Lines | Limburger | Espionage

Cast

Charles Chaplin	...	Recruit
Edna Purviance	...	French girl
Syd Chaplin	...	Sergeant / The Kaiser (as Sydney Chaplin)
Jack Wilson	...	German Crown Prince
Henry Bergman	...	Fat German sergeant / Field Marshal von Hindenburg
Albert Austin	...	U.S. soldier / German soldier / Kaiser's chauffeur
Tom Wilson	...	Training camp sergeant
John Rand	...	U.S. soldier
J. Parks Jones	...	U.S. soldier (as Park Jones)
Loyal Underwood	...	Short German officer

Runtime:

46 min | 36 min (TCM print)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono (Westrex Recording System) (1959 re-issue) | Silent

Certification:

Canada:G (Ontario) | Argentina:Atp

Filming Locations:

Chaplin Studios - 1416 N. La Brea Avenue, Hollywood, Los Angeles, California, USA

Company:

Charles Chaplin Productions

Trivia:

Originally planned at five reels; outtakes were preserved in Chaplin's private collection. True Boardman, Marion Feducha and Frankie Lee played Chaplin's sons in cut domestic scenes intended for the beginning of the film. Peggy Prevost and Nina Trask portrayed draft board clerks, Alf Reeves a draft board sergeant and Albert Austin a doctor in a cut scene at the draft board office.

Goofs:

Miscellaneous: In the woods, where Chaplin runs to hide from the pursuing Germans, automobiles are visible traveling on a highway on the horizon.

Quotes:

Officer: How did you capture thirteen?
Recruit: I surrounded them.

Movie Connections:

Featured in Charlie: The Life and Art of Charles Chaplin (2003)

The Tramp Goes To War

The big names in film tried to do their part for the war effort, and Charlie Chaplin was no exception. This patriotic and propagandist picture is part of his contribution, although the war was nearly over by the time of its release. The tramp goes to war, humorously accomplishes acts of heroism and kicks the Kaiser in the bum. It's a very funny film, although I don't think it nearly one of his best. It's with 'A Dog's Life' as his better output for First National before he made his early masterpiece 'The Kid.' They are his first three-reelers, which contain sustained, more elaborate gags than he could usually orchestrate in his two-reel shorts at Mutual.

It can be difficult to balance a pro-war message with slapstick antics and scenes of burlesque on the front, but one wouldn't think so watching 'Shoulder Arms.' It's also preferable in many respects to a "more serious," dramatic work with a similar message, such as Griffith's 'Hearts of the World.' Chaplin had become a true virtuoso of screen comedy by this time; he makes it look effortless. He knew very well by now that a film with fewer gags--with more elaboration, refinement and careful timing--could be better than any knockabout, Keystone-type farce with a dozen pratfalls a minute. The sequence where Chaplin is disguised as a tree is a pertinent example. Even with wars raging, Chaplin can lift the spirits of millions.