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3 articles from 2008
21 October 2008 6:45 PM, PDT | From Rope of Silicon | See recent Rope Of Silicon news
Photo: MGM Home Entertainment Watching Hannah and Her Sisters is something of a revelatory experience for the viewer. The film is presented in a series of episodic vignettes centering on one idea after another, introducing you to a variety of characters and exploring a varying level of emotions primarily centered on the idea of love, the need to be loved and love ultimately becoming a reason for existence. The film is an exploration of existence as told through love and comes to its own inevitable conclusions riding a range of up and down tidal waves. To point to a centerpiece in the story is a bit difficult; to view this film is to view it solely through one's own eyes and there isn't much in the way of a singular way to see it. Calling the movie Hannah and Her Sisters is almost misleading as Hannah (Mia Farrow) is certainly
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Brad Brevet
4 August 2008 2:27 AM, PDT | From Upcoming Film Scores | See recent Upcoming Film Scores news
The upcoming live action version of the classic tale Jack and the Beanstalk, starring Chevy Chase and Christopher Lloyd, gets an original score by Randy Miller, a versatile composer whose previous credits include Hellraiser III: Hell on Earth and who has orchestrated and conducted scores such as The Fast and the Furious and Driven. The film is directed by Gary J. Tunnicliffe, a make-up effects wizard who also worked on Hellraiser III and a lot of other genre movies, including Sleepy Hollow, Blade and Exorcist: The Beginning. Randy Miller has also composed the music for Uncross the Stars, a drama comedy starring Ron Perlman and Barbara Hershey, directed by Kenny Golde.
noreply@blogger.com (Mikael Carlsson)
15 June 2008 9:01 PM, PDT | From avclub.com | See recent The AV Club news
1. The Last Temptation Of Christ (1988) Nikos Kazantzakis' novel was a lightning rod of controversy from its 1951 publication, and anyone attempting to adapt it to film could only assume that trouble would follow. That didn't dissuade Martin Scorsese, however. Attracted to its psychologically complex depiction of an oft-tormented Jesus, Scorsese optioned the book in the 1970s and struggled to film it for years, even seeing one attempt shut down shortly before shooting began. When he finally finished the film, protests from conservative Catholics and Christian fundamentalists followed. Most never saw the film; they judged it from reports of a final sequence in which Willem Dafoe's dying Christ entertains the temptation to abandon His divinity and live a normal human life, even making love with Mary Magdalene (Barbara Hershey). (They might also have confused it with a widely circulated urban legend about a "gay Jesus" movie that started...
Tasha Robinson, Steven Hyden, Scott Tobias, Noel Murray, Keith Phipps, Jason Heller, Donna Bowman
3 articles from 2008
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